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Arvo Pärt And Snøhetta in stillspotting nyc

VES by VES
September 22, 2011
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For the second edition of stillspotting nyc, composer Arvo Pärt (b. 1935, Paide, Estonia) and the New York City and Oslo-based architectural firm Snøhetta collaborate on a series of stillspots around Lower Manhattan that explore the special relationship between space and sound.
stillspotting nyc, a two-year multidisciplinary project by the  Guggenheim Museum that takes the museum’s Architecture and Urban Studies programming out into the streets of the New York City’s five boroughs: Manhattan, Brooklyn, the Bronx, Queens, and Staten Island.

Every three to five months, “still-spots” are identified, created, or transformed by architects, artists, designers, composers, and philosophers into public tours, events, or installations.

In our busy everyday lives in cities such as New York, we often don’t realize how our ears continually need time to adjust to strong differences in the sounds that surround us—just as the pupils of the eyes only gradually accommodate to the change from light to dark. Pärt believes that our mind and senses do register these differences unconsciously. Oftentimes the mysterious phenomenon of sensory adaptation is best observed through reduction rather than growing complexity. Reduction certainly doesn’t mean simplification, but it is the way—at least in an ideal scenario—to the most intense awareness of the essence of stimuli.
For “To a Great City”, the architects have selected—and subtly altered by the placement of large-scale weather balloons—indoor and outdoor spaces that embody the concept of a central musical tone and extend the perception of sound into the realm of space. The spherical balloons have a unifying and holistic character and simultaneously create and ignore space: something that can also be said of Pärt’s music.
The staging of five recorded works by Pärt gradually transports visitors from the hustle and bustle of the streetscape to an elevated urban experience that makes them newly aware of their sense of hearing. Visitors can experience this confluence of music and architecture at five separate locations downtown that quietly celebrate the city, ten years after the September 11 attacks. Traveling through sites along the periphery of Ground Zero, participants encounter a green labyrinth created by the Battery Conservancy, reflect in an underground chamber at Governors Island National Monument, and enter otherwise inaccessible spaces in landmark skyscrapers.
Tours for To a Great City run from Thursdays to Sundays, September 15–18 and 22–25, 2011. Hours of operation are 11 am–7 pm, with the last ticket pick-up at 4 pm.
Fot more information:
http://stillspotting.guggenheim.org/visit/manhattan/

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